Day 19
1964, the Plan: Rancheria, YT to Fort Nelson, BC.
1964, the Actuality: On Tuesday, August 4, the Explorer Scouts were still in Cantwell, AK. Apparently the engine block arrived and the mechanical engineers helped install the engine after the Explorer Scouts rigged up a hoist.
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1964: Installing the new engine (KSS) |
Sunday, July 2, 2017
We took advantage of Betsey's services for one more day. She took us to the Potter Marsh, part of the Anchorage Coastal Wildlife Refuge, that was created in 1916 -1917 when the railroad blocked several streams to construct an embankment for the track. In doing so, they impacted the tidal habitat, but also created a freshwater marsh.
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Potter Marsh; the rain kept away some wildlife as well as most people |
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Birdhouse boxes hang on the boardwalk |
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Kent looks for salmon, we could barely see a couple,
at Rabbit Creek, the one stream with access to Cook Inlet;
note the arm farther on the boardwalk |
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This fellow was sticking his GoPro camera into Rabbit Creek,
but didn't have any better luck finding salmon |
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We saw a Canada Goose family, many Mew Gulls, Mallards,
Green-winged Teals, probably Greater Yellowlegs,
and possibly Short-billed Dowitchers |
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Moose track |
After lunch at the Bear Tooth Theatre and Pub (Betsey also took us on a BrewPub tour!), Kent and I went on our own to the Alaska Native Heritage Center, using a 20% discount coupon from Betsey! Many thanks!
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Alaska Native Heritage Center (1999) shares the heritage
of Alaska's 11 major cultural groups |
These major Native groups are the Athabascan (Interior Alaska), Yup'ik and Cup'ik (western and west coast Alaska), Iñupiaq and St Lawrence Island/Siberian Yup'ik (northern and north coast Alaska), Unangax̂ and Alutiiq/Sugpiaq (Aleutian Islands, Kodiak, and western south coast Alaska), and the Eyak, Tlingit, Haida, and Tsimshian (eastern south coast and inner passage/southeast Alaska).
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Raven the Creator (1998, by John Hoover),
with the face in the belly symbolic of Mother Earth |
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Basket by Pauline Dushkin of the Ununagax̂ |
It is interesting to note that traditional Native crafts were for functional or ceremonial use, and it wasn't until the arrival of non-Natives when the Natives learned to make crafts for sale to the non-Natives, such as these coiled grass baskets, beadwork (using trading beads from the non-Natives), dolls, paintings and prints.
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Models of kayaks and kayak frames |
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Crafting a kayak at the Alaska Native Heritage Center |
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A post-non-Native Athabascan dwelling |
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Athabascan village smokehouse |
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The smoker |
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Here moss is used to chink the logs of the building |
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The Yup'ik and Cup'ik dwellings were partially subterranean,
with separate quarters for men, and women and children;
the large entrance to the left was cut for tourists! |
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Box Drum (2014, by Susie Bevins-Ericsen and
Lawrence Ahvakana of the Iñupiaq) |
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The real entrance to the Iñupiaq/St Lawrence Island
Yup'ik dwelling (except the security door is not authentic!) |
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A performance of Native sports; here the one-foot high kick,
where you have to jump off both feet together, kick the
ball with any part of the foot, then land on the kicking foot only |
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